Friday, June 15, 2012

When is a new good song not a good song?



It takes more for a new song to be a new good song than being good. Other qualities drive a purchase -- originality, appropriate maturity, a sense of sincerity. There needs to be some sort of essence of truth.

Take the clip above. "The Fighter" by Gym Class Heroes f/ Ryan Tedder is by many accounts a good song. The delivery and production are quite nice; it's catchy and has a good message. It's pleasant to the ears, for sure. Everyone involved is talented. But it feels phony. Expected. Calculated. As a result, it feels untrue and manipulative. Therefore it's terrible.

Even the mere fact of this particular collaboration seems inorganic. When I hear this song, between the lines I hear the murmur of producers, managers and record-label executives, seeking to produce a product with mass appeal. This is their job, of course. But the output should be independent of this objective, or at least disguise it better. When a song feels written, produced and performed for no genuine or artistic reason, it  cannot be good. This is what makes Justin Bieber's output particularly excruciating. He is talented, and some of his output has appealing musical qualities. But as a package, Justin Bieber's portfolio is American cheese.

This is the problem I had with "Payphone" by Maroon 5 f/ Wiz Khalifa earlier this year. It is right on the borderline of good. But there's something inauthentic about it. Listening to it does not feel like listening to music. It feels like listening to the result of meetings, not the result of feelings.

I have now presented a standard for goodness that many people will find naive, objectionable or impossible to measure. As a listener, I am sure I sometimes fail to detect authenticity. For example, is "Call Me Maybe" by Carly Rae Jepsen borne from any authentic feelings? I don't know. I was not in the room when this song was conceived, produced, recorded and released. But I feels, at the very least, as though the song was written, produced and arranged by people who were enjoying their jobs, and were talented, and cared about quality. The vocals are delivered in a way that's perfectly appropriate to the material, which indicates some sense of sincerity or performance capability on the singer's part. This exact same song by, say, Madonna, would have a very different effect indeed.

Therefore, I realize that phoniness is a hard quality to identify accurately, but I think it is sufficient to say that if a song feels phony, that's reason enough to negate its otherwise good attributes.

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